I’m part way through teaching a workshop at Committed to Cloth in Surrey. We’ve been blessed with beautiful weather this week: it has actually felt like summer! This has made a real difference to how we have been able to get out and explore the area around the studio.
We have recorded walks in a variety of ways and used what we found along the way in a range of print and mark making techniques.
We worked out in the meadow, and at the edge of woods, a short walk from the studio; yesterday printing outside, today manipulating grass and leaves and other gathered materials.
Tomorrow we finish, bringing things together in some simple book forms and whatever else appears out of the mix of ideas and starting-points we’ve explored.
I am in the middle of a flurry of workshops at the moment. I’m looking forward to teaching at Stone Creek Barn over in East Yorkshire later this week and then my first workshop for Committed to Cloth down in Surrey next week. There is currently one place available at the Committed to Cloth workshop due to a cancellation.
I have organised a couple of dates for Stitch, Fold, Rust workshops at my studio in Keighley. One in July and one in September. These can be booked through my online shop. I hope to fix some dates for more of these next year. I have been invited to teach in Italy and France next year, which is really exciting. Details and dates for 2016 will go on the workshops page when links are available for booking.
During the half term holiday I was away with my family on the west coast of Scotland. I’ve been coming to these parts all my life and I can feed off a visit like this creatively for months and more. Although the weather wasn’t brilliant it was easy to be on the nearby beach every day, at least for a brisk walk, and at most for a leisurely afternoon playing games, cooking and pretending it was a bit warmer than it actually was.
As ever, I came home with a head full of thoughts, images and ideas and a box full of ‘things’ to continue that process with. Now my little collection is laid out in my studio and slowly I’m getting to know the various objects.
I was thrilled to be invited to be part of Meticulous Stitchers at Unit Twelve Gallery, Stafford, alongside artists whose work I really admire. The two pieces I have made for the exhibition are part of my Rust Diaries series and have involved hours and hours (and more) of stitching.
The exhibition opens on 4th June and runs through until 29th August. I will be teaching a couple of day workshops at the gallery in July and there is a ‘stitchers soiree’ on 27th June, a mid-exhibition event (open to all) instead of a private view. You can find more details here and on the Unit Twelve website.
At Easter I collected some mud from a tributary of the Severn Estuary, whilst down in Somerset. The tubs of this lovely mud have been sitting patiently in my studio, waiting for me to open them up and play with their wonderful smooth contents. I’ve been weaving away at a long strip for quite some time and this came off the loom last week. Although it was woven on a table loom, once off the loom I manipulated it so that most of it became densely packed, covering the warp in a tapestry weave structure.
This morning the strip was coated in the silky estuarine mud. Freshly muddied and still wet it has taken on a ceramic quality. It will dry slowly now and its surface quality will change as it does so. I’m looking forward to seeing what happens to the surface as it changes.
My Leaf Stitching books have just arrived, hot off the press from the printers. The book is now available here. This book forms a photographic record of a series of experiments with leaves and hand stitch that I have been playing about with for a couple of years. As it says in the afterword: This book illustrates a line of inquiry, the following of a thought process.
Some of the pieces that feature in the book, and others that don’t, will be exhibited this Autumn at the Society of Designer Craftsmen Gallery, London.
Thank you to all who voted for me in the Craft & Design Selected Maker awards this year. I am a finalist! This means I was voted into the final 6 in the textiles & needlecraft category. You can see details of all the finalists and awards here.
Just as the new buds are unfurling in the woods I am using last years leaves. I am working on my largest leaf stitching piece so far. This is a sort of experiment, just to see what happens when I try to scale up something that I’ve been doing previously on a hold-in-the-hand scale. These leaves are pretty fragile, although they were collected at a point when the winter hadn’t completed its job of weakening and breaking down the fibres. Pressed and dried flat they are generally doing what I want them to and I am learning all the time what the boundaries are. As I work on this piece in the studio my Leaf Stitching book is finished and at the printers. I hope it will be available in the next couple of weeks.
Time flies: I realise I post much less frequently here than I used to and than I would like to. I have been away for much of the last three weeks and seem to have spanned a great deal of the country in the process. I had a wonderful few days teaching in Eastbourne (on the South coast) before Easter. As a group we explored the beach, collecting in different ways and then used what we had collected in a variety of techniques – great fun and a chance to explore an area I didn’t know.
Easter saw me in North Somerset (in the South West) with my family in the beautiful Mendip Hills. I snatched an opportunity for a bit of mud lurking – more on that another time.
Then we had a few days in the depths of Snowdonia, off grid and off everything else apart from a tent and whatever we could carry. We were blessed with the most amazing weather and managed to get the whole party (youngest 6) up to the top of Snowdon (the highest mountain in England and Wales) in glorious spring sunshine with a dramatic helicopter rescue (not one of us!) to add a bit of drama.
After a night at home I headed north to give a talk just over the Scottish border. I spent the morning on a windy walk overlooking Lindisfarne and its causeway in Northumberland. Serenaded by skylarks and calling waders the colours and creeks of the salt marsh were brought to life in the clear air.
Meanwhile, an article by Wendy Feldberg on artists using rust in their work has been published in Fibre Art Now and is available here.
I’ve just posted off my entry to this year’s Sketchbook Project. My book is called Contemplating the Badger and is made up of drawings of a dead badger that I met last September. Encounters with wildlife in this way provide a closeness that we are never afforded when they are alive. It may seem morbid to want to study an animal that has met with an end like this but I see it as an opportunity to understand more about them. It was particularly moving to find this young badger freshly killed (by a car) within days of the badger cull being re-started in the area of the country I was visiting, something I strongly disagree with. Very sad. One of my all time favourite books is a collection of drawings from wildlife by Keith Brockie. Many of his studies are made from dead animals: the model stays still! I have had his books since childhood and I go back to them again and again.
In order to fit my badger into the small format of the standard Sketchbook Project book I took the book apart and laid the pages out together so that I could work on a larger scale. I drew from a series of photos I had taken. The pages were then re-constructed back into their book form. The drawings are therefore broken up and somewhat abstracted. I have also included on my pages words from a poem of the same title as my book by Nigel Morgan:
I stopped the car I was alone,
I snapped it three times
with my phone and now
it lies here on his desk,
three shots of this dead thing,
its dark blue pool of blood
that spills half on the road
half on the grass, from deep
inside its side it’s dead,
and really still,
it has a such beauty,
This weekend there was a magpie dead on the road near my house. My daughter told me it was there so we went to look. It was laid out in the middle of the road. I removed it from its undignified position and spent a couple of hours drawing it.
Contemplating the Badger will eventually be able to view either as part of the Sketchbook Project tour or via the digital library, once it has arrived and been processed. Previous contributions to the project can be seen here and here.