I’ve spent some time updating the project pages on my website today. This is something I’ve been meaning to do for ages, but it is the kind of job that always falls off the bottom of the list. Today I can tick it off and it is good to see some of the recent projects I’ve been involved in, or that are ongoing, summarised. I always have a number of different things on the go at the same time. Sometimes it can feel like I flit between them and never really progress, but there are small steps forward all the time. And of course there is always planning for the future going on, things that aren’t yet at a stage I can share my thinking on but that are bubbling away in the background. It can be misleading to have to present things as discreet ‘projects’. In reality each thing leads to the next and all of the things I am working on are inter-related, part of a continuum of thinking and exploring.
One of the newly recorded projects is Leaf Stitching. This is not a new activity, but one that has been going on in spare moments for quite some time. This is an adventure in playing with materials really: materials that are sometimes fragile and sometimes surprisingly robust. It is an exercise in treating those materials with care and precision and really getting to know them in the process. There are other leaf stitchers out there producing some beautifully embellished pieces: Christine, Hillary and Susanna.
Back in December I showed the beginnings of some tapestry weave on a frame. This slowly grew over the last month or so and I ended up with two separate pieces done on the same warp. The main piece was relatively successful and I managed to keep things fairly even. The second ended up being badly pulled in at the side and I learnt a lot during the making of it, persevering when things went awry, but then giving up on it eventually. I was using the same linen for the warp and weft and I realise that this was probably not robust enough a warp. By the time I got well up the frame it was probably stretching and distorting. I have so much to learn. Most of my weave has been on a small scale so far, and working that way I can get away with a lot. My challenge is to be able to work on a larger scale and still be happy with the results.
I ended up with a beautifully white construction with slits that break up the surface. The intention was always to mark the surface with ink, but I did enjoy it in its pure state for a while first.
The walnut ink was applied with a roller. I knew there would be some unevenness and I like that unpredictability. The ink catches the surface of the weave, revealing the pattern of lines where the weft rolls onto the surface and then leaves it again.
This comes with wishes for a happy, healthy and peaceful 2015. The holiday time brings a necessary pause, a change in routine and a chance to relax and reflect. Walks each day this week have been wonderfully varied. The same walk done a few days apart was invigorating in very different ways – first with a few inches of snow transforming the landscape into a monochrome graphic version of itself, the second in wind and rain with russets, greys and greens of winter wood and moor. More images are here.
The Society of Designer Craftsmen annual exhibition takes place at The Mall Galleries in London from 8th to 17th January. My 25 Beer Bottle Tops will be in the special 25th anniversary section of the exhibition. I have some invitations for the preview on 9th January. If you would like one of these send me an email and I’ll pop one in the post to you.
I am well and truly in a weave phase at the moment. My studio wall has a growing number of samples pinned up and I’m enjoying exploring a variety of (mostly) linen yarns and the surfaces and structures that they produce when held under tension on a warp. I am constantly delighted by the simplicity of plain weave and the simplicity of the technology that produces it. I’ve been working on my table loom, but even then I have tended to beat things hard so that the warp is covered, producing a surface almost like tapestry weave.
This warp is now off the loom and the samples separated. I did enjoy them as a strip though, and it was tempting not to separate them. The linen formed these lovely curved bridges between the weave.
Most of the samples will be dyed, dipped or stained in some way. I have also been weaving on a frame and this piece is growing a little each time I get to the studio.
This, too, won’t stay white all over. I have plans for it to meet some walnut ink. but more on that another time.
I will be opening my studio in Keighley on Tuesday 25th November and Saturday 6th December between 11am and 4pm. I will have some of the Tide Marks work up in our ‘gallery’ space and you will be able to see current work in progress. Directions should be viewable here. Email me if you want any further information about visiting.
I recently completed this little piece (25cm x 25cm). It has 25 found beer bottle tops trapped between layers of linen and a lot of small stitches. Once all the stitching was complete it was dipped into tea so that the rusty bottle tops could stain their surrounding fabric and stitches in their own special way. It will be shown as part of 25 x 25 x 25 at the Mall Galleries, London alongside the Society of Designer Craftsmen’s 25th annual Designer Crafts exhibition in January.
Later this week I’ll be at the Knitting and Stitching show in harrogate. On Thursday I’ll be stewarding part of the day in the Prism exhibition Coded : Decoded, in which I have some work on show. On Friday I’ll be demonstrating in the Artists in Action area on stand C590. Do come and say hello if you’re visiting.
I’m developing some new work in the studio at the moment. I’m experimenting with various weave techniques and enjoying being back at a loom. I have a table loom that was rescued from going in a skip a few years ago. This spends most of its time sitting in my studio looking rather redundant but I’m making good use of it now. I’m preparing a series of samples, on which I will then experiment with other processes. I love the act of actually making a structure that becomes a fabric and I’m aiming to end up with some quite three-dimensional pieces… but that could all change.
I am also playing about with an inkle loom (shown above). When I acquired my Grandmother’s floor loom (currently sitting redundant, but maybe over the winter it will see some action) there came with it a whole load of paraphernalia, much of which I didn’t know what to do with. Sadly, Granny died before my career change and my professional interest in textiles developed so I didn’t get to share this interest with her. She spun wool and wove rugs on the loom I now have and I wish I’d had an opportunity to learn from her experience. I do have some of her rugs though, as well as a couple of her paintings.
One item amongst the box of wooden accessories I realised was an inkle loom and I’ve just been working out how to use it. I bought a book but this still wasn’t very clear and I realise how different it can be to learn something when you are shown what to do rather than trying to understand a written instruction. With the help of various online instructions and a couple of false starts I got the thing warped up and have started to weave on it. I even found Granny’s little heddles, made from some strong yarn, that had sat in amongst other things and I hadn’t realise what they were for. They’re still strong and now in use on the loom.
And as if those two looms aren’t enough, I’ve got a couple of tapestry frames on the go too for more samples.
I suddenly have some space to start exploring new ideas, or rather ideas that I’ve been having over the last year but not had the time to engage with. The book I’ve been writing is now finished, or at least delivered to the publishers. There will be editing and tweaking to do but the majority of it is complete. The last year has been pretty much focussed on the book and touring Tide Marks, alongside a fairly hectic workshop teaching schedule. Apart from finishing off my report to Arts Council England for Tide Marks, that is now complete too. So, what is next? I have a number of projects to be getting on with. There are various group exhibitions next year that I will be making work for, so what follows is a period of development of new work. This is exciting and daunting. Where to start is always an issue. The best things is to get in the studio and see where things get to. So often we are forced (by time constraints) to commit to an end point before we’ve hardly started. It is a challenge to allow things the space and time to develop without knowing what that end point is going to be.
I was fortunate to spend a weekend with the Textile Study Group a few weeks ago. The group is made up of textile artists and tutors who share their experience and skills with their students and with each other. The weekend I attended was themed around ‘drawing’, but not just the conventional pencil on paper stuff that immediately springs to mind. We explored how different artists take initial ideas and get things down on paper (or elsewhere) as a starting point for their work – ‘taking the idea out of your head’. This included intensive drawing exercises, as well as group and individual activities on recording what we found around us. Many different ways of recording thoughts, sights, experiences were explored and discussed. It was an immensely stimulating and enriching weekend. What became clear was that everyone has a different approach to drawing, recording ideas and developing their work. Each approach is personal to each artist but all are relevant.
I’m really pleased to announce that I have been made a member of the Textile Study Group. This is quite an honour and I look forward to working with the wonderful artists and teachers that make up the members of the group.
I will be in London next week with the final showing for Tide Marks this year. In addition to the opening hours shown above there will be a poetry reading on Thursday 25th at 6pm. This will be by Nigel Morgan, who wrote the beautiful poems for my Tide Marks book. It will be great to have the poems read amongst the work that they sit alongside on the page. Do come along if you’re able to. I will be in the gallery all week.