I’m working on some pieces for an exhibition called Coded: Decoded with Prism this May and Autumn. A Language of Leaves is a series of works loosely based on thoughts about asemic writing and the forms that leaves make when they fall and are arranged on the ground. Asemic writing is that which has no specific meaning or semantic content. It can suggest meaning but is open to the viewers’ interpretation. I’m making a series of ‘lexicons‘ (a catalogue of a languages words) with different leaves.
The catalogues have arrived for Stroud International Textiles’ Select festival. They look great and there is such a feast of textile related events and exhibitions included this year. I’m sorting out the last few bits of publicity material for Tide Marks, which will be in Stroud from 6 – 24 May. I’m thrilled that I have Arts Council funding to support this exhibition (supported using public funding by the National Lottery through Arts Council England) as well as for taking it to Hull and London later this year. While I’m in Stroud I will be running two one day workshops in the gallery at Lansdown Hall. One is already sold out but there are still some places available on 21st May.
I’ve been working on my contribution to the Shirt Collar Project and it has taken me in a direction I didn’t expect. Pictures of the final pieces from all ten artists will be revealed over on the project blog but here are a few images of my process as it unfolded (or folded!). I didn’t expect to make book forms but having printed from my collar on to both paper and fabric I then tested various routes and this was the one that I ended up following.
I’ve been stitching away for a few weeks in between other things. I’m experimenting with different ways to stitch with and round the various rusty bits and pieces that find their way into my pockets on a daily basis – a kind of rust journal. It starts out white and I’m enjoying the crispness of white on white, but it will change.
These ones are being trapped and stitched round. They will then go outside in the weather to see what marks the rust will make on the cloth and thread they’re embedded within.
This is a different piece, one that is now living in the garden and has started to develop marks.
I will be at this lovely event this weekend at The Tetley, a new contemporary art gallery in Leeds. I first showed at this event last year and it was a very friendly gathering of all things book art. I’m looking forward to seeing the new venue and meeting some lovely artists’ book making/appreciating people! I’ll be taking some of my Tide Marks books along, as well as this: Forgotten Haberdashery
A few months ago I was invited by Kathleen to be part of a group project involving some vintage shirt collars. The brief and some of the developments can be found on the project blog here. So this is what arrived back in the summer and has been pinned to my studio board while I considered what to do with it.
Last week I finally got round to playing with this item that is sort of a ‘found object’ except it is someone else’s find. I studied it as if it were some sort of specimen, investigating its make-up, structure and features. I drew it, photographed it, took prints from it and slowly took it apart, documenting the process. At each stage I took a print, initially blind embossing (putting it through the press with damp paper and no ink). The marks it made became slowly more ragged and dis-shevelled as the edges were un-done.
It was so pristine and white that I daren’t mark it with ink initially, knowing that once I did there would be no going back. Eventually I plucked up the courage to do so and now the collar lies in its dissected state, flattened and black with printing ink. The prints it made have wonderful detail where the loose threads caught the ink.
I like it as an object. It has a history and a story that I can never know. I don’t know yet what I’ll do to it next but I’m looking forward to finding out…
Last year I was commissioned to make a special record of a garden. This record was for the occupants of the garden (and its house) for over 20 years to take with them when they move on to pastures new. There is more information about the project here and there are some images of how things developed in an album here. The final set of prints were chosen over Christmas and are now with the framer. I’m looking forward to seeing how they look as a finished series. Meanwhile, I will be bringing the experiments and developments together in a special book to go with the framed prints.
This is a section of my studio wall at the moment. I’m really enjoying the routine of working in the studio and at home. My diary is relatively sensible at the moment so I’m making the most of it. I’m working on a number of small projects, although they are all linked in some way (perhaps the link is me!) and some may grow to be much bigger: one thing really does lead on to the next idea. I enjoy the experimenting stage of any project, probably more than making the final work, which can be daunting for various reasons. Sometimes I can’t keep up with the ideas and all the things I want to try – the sketchbook becomes incredibly precious as a repository for thoughts and ideas. These are some of the things going on at the moment:
This little piece is now winging its way round the world to New Zealand as a result of the little giveaway I did on my Facebook page last week. There are a few more Printed Fragments now in the shop, along with some of the smaller Pavement Pieces.
You may have noticed the blue badge on the right hand side of this page, which takes you to my profile on Craft & Design’s Selected Makers site. Voting for the Craft & Design Selected Makers Awards 2014 is open and if you would like to vote for me you can do so here – at the bottom of my profile page.
And to celebrate reaching 1000 Facebook page ‘likers’ I’m doing a little give-away. I’f you’d like to be in with a chance go to my page and scroll down to the post from 17th January where you can leave a comment to be included in the draw. The hat closes at 6pm on Friday 24th – good luck!