My exhibition in Le Mans, France opened this weekend, hosted by the town of Le Mans and facilitated by Atelier de Genevieve. I’m incredibly grateful to Genevieve for organising and curating the exhibition. The layered, peeling paint and crumbling textures on the walls of the Pavilion Monod make a wonderful backdrop to the neutral tones of my work. The exhibition is on until 29th October.
I’ve updated my online shop here with some new items. Some of the stitched leaf cubes that featured in my Leaf Stitching exhibition are on there now, along with a selection of other small 3d and 2d items, books and cards. I do always have a selection of framed pieces from previous exhibitions available, as well as unframed and mounted works (textile and print), but these are not advertised on the shop. I am happy to arrange a visit to the studio (Keighley, West Yorkshire) if you are looking to buy. If you are further afield and have particular requests then do send me an email and I’d be happy to discuss options for work I have available.
Leaf Stitching is showing this week in London and I’m enjoying being back in the calm space that is the Society of Designer Craftsmen Gallery. This exhibition is all about detail. Most of the pieces are intimate in scale and they draw you in to notice their intricacies. Small careful stitches punctuate the natural leaf material; the colours and surface qualities of the leaves invite close inspection.
I have a flurry of workshops at the moment for various groups, which is getting me out and about around the country. In between those and the preparation for them I am making final touches to work for my exhibition Leaf Stitching at the Society of Designer Craftsmen Gallery, London in a couple of weeks. It seems very fitting to have this exhibition as autumn is upon us and I hope it will be a celebration of the leaf at a time when we become particularly aware of these wonderful objects.
As well as pieces featured in the book I published earlier this year with the same title there will be some more recent leaf stitching I have been working on, including 2D and 3D pieces. The Oak leaf Quilt I made a few months ago will be there, and some panels made from eucalyptus leaves that are still work in progress…
My Leaf Stitching books have just arrived, hot off the press from the printers. The book is now available here. This book forms a photographic record of a series of experiments with leaves and hand stitch that I have been playing about with for a couple of years. As it says in the afterword: This book illustrates a line of inquiry, the following of a thought process.
Some of the pieces that feature in the book, and others that don’t, will be exhibited this Autumn at the Society of Designer Craftsmen Gallery, London.
Just as the new buds are unfurling in the woods I am using last years leaves. I am working on my largest leaf stitching piece so far. This is a sort of experiment, just to see what happens when I try to scale up something that I’ve been doing previously on a hold-in-the-hand scale. These leaves are pretty fragile, although they were collected at a point when the winter hadn’t completed its job of weakening and breaking down the fibres. Pressed and dried flat they are generally doing what I want them to and I am learning all the time what the boundaries are. As I work on this piece in the studio my Leaf Stitching book is finished and at the printers. I hope it will be available in the next couple of weeks.
I’ve spent some time updating the project pages on my website today. This is something I’ve been meaning to do for ages, but it is the kind of job that always falls off the bottom of the list. Today I can tick it off and it is good to see some of the recent projects I’ve been involved in, or that are ongoing, summarised. I always have a number of different things on the go at the same time. Sometimes it can feel like I flit between them and never really progress, but there are small steps forward all the time. And of course there is always planning for the future going on, things that aren’t yet at a stage I can share my thinking on but that are bubbling away in the background. It can be misleading to have to present things as discreet ‘projects’. In reality each thing leads to the next and all of the things I am working on are inter-related, part of a continuum of thinking and exploring.
One of the newly recorded projects is Leaf Stitching. This is not a new activity, but one that has been going on in spare moments for quite some time. This is an adventure in playing with materials really: materials that are sometimes fragile and sometimes surprisingly robust. It is an exercise in treating those materials with care and precision and really getting to know them in the process. There are other leaf stitchers out there producing some beautifully embellished pieces: Christine, Hillary and Susanna.
I’m working on some pieces for an exhibition called Coded: Decoded with Prism this May and Autumn. A Language of Leaves is a series of works loosely based on thoughts about asemic writing and the forms that leaves make when they fall and are arranged on the ground. Asemic writing is that which has no specific meaning or semantic content. It can suggest meaning but is open to the viewers’ interpretation. I’m making a series of ‘lexicons‘ (a catalogue of a languages words) with different leaves.
Last year I was commissioned to make a special record of a garden. This record was for the occupants of the garden (and its house) for over 20 years to take with them when they move on to pastures new. There is more information about the project here and there are some images of how things developed in an album here. The final set of prints were chosen over Christmas and are now with the framer. I’m looking forward to seeing how they look as a finished series. Meanwhile, I will be bringing the experiments and developments together in a special book to go with the framed prints.
This is a section of my studio wall at the moment. I’m really enjoying the routine of working in the studio and at home. My diary is relatively sensible at the moment so I’m making the most of it. I’m working on a number of small projects, although they are all linked in some way (perhaps the link is me!) and some may grow to be much bigger: one thing really does lead on to the next idea. I enjoy the experimenting stage of any project, probably more than making the final work, which can be daunting for various reasons. Sometimes I can’t keep up with the ideas and all the things I want to try – the sketchbook becomes incredibly precious as a repository for thoughts and ideas. These are some of the things going on at the moment: