The lovely Saltaire Arts Trail event is on this coming bank holiday weekend. I am opening my studio at The Butterfly Rooms as part of the Open Houses trail – we’re number 20 on the map. We shall be open 10 – 5 Saturday, Sunday, Monday (27th- 29th May). Do come along and see the space I work in. I will have a variety of framed and unframed work available, as well as books and cards etc.
If you’ve never been to Saltaire then this is the perfect excuse to visit the World Heritage Site, have a look in all sorts of buildings and houses in the village, meet some lovely people and have a generally arty time – I am a little biased as I was involved in organising the event for 5 years!
I have recently taken a new studio, just round the corner from home, which means I can make better use of my working day. It is above The Butterfly Rooms in Saltaire and there are a few of us with studios, which are open to visit during shop opening hours and when the residents are there.
I still have a space at the Keighley Art Studios but this is mainly to store things (as the new place isn’t very big) and I am now working day to day out of the Saltaire studio.
This weekend Keighley Art Studios are opening the doors to visitors between 10am and 4pm, Saturday and Sunday. I will be there on Saturday afternoon and all day Sunday with my studio open and it will be lovely to welcome visitors there. I have lots of framed work up and there will be a variety of studio holders’ work to see: paintings, upholstery, ceramics, sculpture, prints . . . and no doubt there will be plenty of tea and cake.
The studios are in:
Unit G8, Keighley Business Centre, Knowle Mill, South Street, Keighley, BD21 1SY.
I’m now half way through my drawing project 40 Sycamore Keys. Each time I go to the studio I start the day by doing a couple of these drawings. The latest 10 are now listed on my shop. I’m really enjoying working my way through the collection, studying and recording each one in turn.
This week I haven’t managed to get to the studio. I’ve had a great deal of administration to do, so I’ve concentrated on that and done research and reading. I find it depressing to spend a week staring at the computer screen rather than doing what feels like ‘proper’ work. However, it is all relevant stuff and next week will involve much more making.
Once again it is the time of year when Craft & Design Magazine run their Selected Makers Awards. Voting is open until the end of March. If you would like to vote for me (here) your help would be much appreciated – thank you!
The experiments I’ve been doing recently in the studio are my way of exploring 3D structures and trying out different ways to form them. This shot from earlier in the week shows some of these experiments alongside some of the objects that live on my studio wall, which I described a couple of posts ago. I am not necessarily trying to re-create the forms of these objects but there are often similarities between the ones I’ve got pinned up there (for instance, the ones included here on their own or incorporated into a a new structure are either circular, have holes or form vessels) so they gently influence my making in different ways.
I’m part way through teaching a workshop at Committed to Cloth in Surrey. We’ve been blessed with beautiful weather this week: it has actually felt like summer! This has made a real difference to how we have been able to get out and explore the area around the studio.
We have recorded walks in a variety of ways and used what we found along the way in a range of print and mark making techniques.
We worked out in the meadow, and at the edge of woods, a short walk from the studio; yesterday printing outside, today manipulating grass and leaves and other gathered materials.
Tomorrow we finish, bringing things together in some simple book forms and whatever else appears out of the mix of ideas and starting-points we’ve explored.
During the half term holiday I was away with my family on the west coast of Scotland. I’ve been coming to these parts all my life and I can feed off a visit like this creatively for months and more. Although the weather wasn’t brilliant it was easy to be on the nearby beach every day, at least for a brisk walk, and at most for a leisurely afternoon playing games, cooking and pretending it was a bit warmer than it actually was.
As ever, I came home with a head full of thoughts, images and ideas and a box full of ‘things’ to continue that process with. Now my little collection is laid out in my studio and slowly I’m getting to know the various objects.
I am well and truly in a weave phase at the moment. My studio wall has a growing number of samples pinned up and I’m enjoying exploring a variety of (mostly) linen yarns and the surfaces and structures that they produce when held under tension on a warp. I am constantly delighted by the simplicity of plain weave and the simplicity of the technology that produces it. I’ve been working on my table loom, but even then I have tended to beat things hard so that the warp is covered, producing a surface almost like tapestry weave.
This warp is now off the loom and the samples separated. I did enjoy them as a strip though, and it was tempting not to separate them. The linen formed these lovely curved bridges between the weave.
Most of the samples will be dyed, dipped or stained in some way. I have also been weaving on a frame and this piece is growing a little each time I get to the studio.
This, too, won’t stay white all over. I have plans for it to meet some walnut ink. but more on that another time.
I will be opening my studio in Keighley on Tuesday 25th November and Saturday 6th December between 11am and 4pm. I will have some of the Tide Marks work up in our ‘gallery’ space and you will be able to see current work in progress. Directions should be viewable here. Email me if you want any further information about visiting.
I suddenly have some space to start exploring new ideas, or rather ideas that I’ve been having over the last year but not had the time to engage with. The book I’ve been writing is now finished, or at least delivered to the publishers. There will be editing and tweaking to do but the majority of it is complete. The last year has been pretty much focussed on the book and touring Tide Marks, alongside a fairly hectic workshop teaching schedule. Apart from finishing off my report to Arts Council England for Tide Marks, that is now complete too. So, what is next? I have a number of projects to be getting on with. There are various group exhibitions next year that I will be making work for, so what follows is a period of development of new work. This is exciting and daunting. Where to start is always an issue. The best things is to get in the studio and see where things get to. So often we are forced (by time constraints) to commit to an end point before we’ve hardly started. It is a challenge to allow things the space and time to develop without knowing what that end point is going to be.
This is a section of my studio wall at the moment. I’m really enjoying the routine of working in the studio and at home. My diary is relatively sensible at the moment so I’m making the most of it. I’m working on a number of small projects, although they are all linked in some way (perhaps the link is me!) and some may grow to be much bigger: one thing really does lead on to the next idea. I enjoy the experimenting stage of any project, probably more than making the final work, which can be daunting for various reasons. Sometimes I can’t keep up with the ideas and all the things I want to try – the sketchbook becomes incredibly precious as a repository for thoughts and ideas. These are some of the things going on at the moment: