I spent last week in a quiet part of Cumbria. It was a working week but in a beautiful location away form home and studio. We made time to explore a bit as well, enjoying the sweeping views across the valley and the changing weather patterns.
Almost exactly a year ago I had a similar week working here and came across an old lime kiln that had been used recently as a bonfire site; a place to dispose of various bits of agricultural rubbish. You can see this structure on the picture above, in the middle near the bottom. What remained amongst the ash and nettles were various bits of metal, rusty and burnt. Some of these objects formed the starting points for a section of my Findings project. I brought this group of work back with me, intending to photograph them ‘on location’. So last Friday, with good light conditions and a pleasant breeze, the pieces accompanied me on a walk up onto the edge of the fell until I found a suitable limestone rock. This was within view of the old lime kiln and made a very suitable foil for my line of Findings.
I’m now in the midst of putting together the book to accompany the exhibition. This publication, like my previous self-published books, tells the story of the project. Images and words are gathered together from the places that sparked off the ideas, the making of the work and the finished pieces.
I have had interviews and articles published in three places this week. One is here on the lovely Textile Curator website. The second is here and is part of a series of articles where Anne Williams discusses ‘unfinished’ work. Number three is an article in The Quilter, which can be viewed here. This appears in Winter 2015 issue (no. 145) of The Quilter, the quarterly membership magazine of The Quilters’ Guild of the British Isles. ‘Moving On’ follows the article I wrote for The Quilter following my bursary from the Quilters’ Guild in 2011.
I had a lovely week with my Leaf Stitching exhibition in London. Spending time with a body of work in an exhibition situation is a good time to reflect on things, both leading up to that point and looking forward. Being removed from the studio and all the distractions of home life can be useful for a period of time, even if the logistics of arranging it all are tricky! Being present in the gallery to talk to visitors about the work can be very rewarding and, I think, adds a lot to the visitors’ experience of the work. Visitors were often surprised to find that the person sitting quietly stitching in the gallery was the artist. For those that didn’t make it to the exhibition the Leaf Stitching catalogue/book is available in my shop, along with other publications. I hope to get some of the pieces that were featured in this exhibition available in the shop in coming days, along with a few other items for sale.
Tide Line, shown above, is currently showing in The Language of Objects at Unit Twelve Gallery, Staffordshire. This looks to be a really interesting exhibition with work from a great group of artists and makers. I am really pleased to have another opportunity to show work at this quirky gallery set on a farm in rural Staffordshire.
A few more workshops dates for next year have been added to the list on the workshops page. I hope to arrange some more day workshops at my studio in West Yorkshire as well, although these have to be during the middle part of the year when the temperature in the studio is more hospitable: it is starting to get pretty cold in there already and we’re only in early autumn! Details of these will be made available when I’ve sorted out dates in the diary.
My book is published today! So now it is available to buy from all good bookshops. Of course there are various ways of getting a copy (and various prices on the internet) but if you want to buy one directly from me I have signed copies available in my shop.
I’m just getting ready to go off to the Festival of Quilts at the NEC. I will be demonstrating in the Virtual Studio on Friday afternoon and Saturday morning. Do come and say hello if you’re there. Oh, and I might have some books with me…
My Leaf Stitching books have just arrived, hot off the press from the printers. The book is now available here. This book forms a photographic record of a series of experiments with leaves and hand stitch that I have been playing about with for a couple of years. As it says in the afterword: This book illustrates a line of inquiry, the following of a thought process.
Some of the pieces that feature in the book, and others that don’t, will be exhibited this Autumn at the Society of Designer Craftsmen Gallery, London.
A couple of weeks ago I mentioned that I was preparing drawings for a publication. The publication is now live and is available as an e-book. This collaboration brings together poetry by Nigel Morgan (if you have my book Tide Marks you will have come across his beautiful poems already) with my illustrations taken from various sketchbooks. Many of these drawings were done en plain air, attempting to capture something of the experience of these places, although they weren’t done in the knowledge that they would later be publicly viewed – this kind of sketchbook is a very personal record of place.
These images and words blend together as evidence of such visits in each other’s company, and occasionally alone. Some of what you see or read has come into being in situ, others as dream memories. Together they form a record of time spent unconfined, in the opened air and the pressing wind, sighting distance, or observing the close confusion of what lies at the feet, or near at hand.
Having had the very rewarding experience of publishing a small number of books so far, initially with help and then as my own publisher, the concept of the e-book is one I am very interested in. It has to be the ultimate in sustainable publications – no actual materials being used etc. But, being a hands-on craft-orientated artist, the fact that I can’t hold this thing in my hands, turn the pages and feel the surface of the paper is something I have to put aside and accept: this is a different experience. Collaboration pushes you in directions that you might not have taken on your own, provides new possibilities and opportunities to learn as a result.
After a long and busy summer things have finally returned to the normal routine of term time. Autumn is in the air and I have a lot to do! I have work to finish for a number of exhibitions this autumn (there is an updated list on my exhibitions page now), the biggest of which is Tide Marks, which gets its first showing at Gate Gallery in Grimsby towards the end of October.
As with Textures of Spurn and Gifts from the Pavement I am publishing a book to accompany this body of work and I am busy pulling that together to meet the print deadline. It’s a satisfying process to bring something like this together, to see the images sitting alongside each other and look back at how the work has developed. I like this documentation of a project, recording the process and bringing that together with elements of inspiration and finished work. It isn’t a catalogue and it isn’t a description of how I have done what I’ve done. It is more a commentary on the project and a way to take the viewer deeper into where the work has come from.
This time round I’m doing everything myself: becoming publisher and graphic designer as well as artist. It’s a steep learning curve but I like a challenge!
The Gifts from the Pavement book is now available to buy on my online shop.
By the way, this is the last week to see Industrial Abstract at the Beetroot Tree in Derbyshire. Textures of Spurn continues at The Bowery in Leeds and if you’re around that area next Saturday I’ll have a stall at the Leeds Festival Chorus Plant and Produce sale at St Chads Parish Centre, Otley Road, Headingley, Leeds from 11.30 – 2.30. This is a fundraising event for the wonderful choir, which I sing in. There will be lots of plants, food, craft stalls and general loveliness.