I’m developing some new work in the studio at the moment. I’m experimenting with various weave techniques and enjoying being back at a loom. I have a table loom that was rescued from going in a skip a few years ago. This spends most of its time sitting in my studio looking rather redundant but I’m making good use of it now. I’m preparing a series of samples, on which I will then experiment with other processes. I love the act of actually making a structure that becomes a fabric and I’m aiming to end up with some quite three-dimensional pieces… but that could all change.
I am also playing about with an inkle loom (shown above). When I acquired my Grandmother’s floor loom (currently sitting redundant, but maybe over the winter it will see some action) there came with it a whole load of paraphernalia, much of which I didn’t know what to do with. Sadly, Granny died before my career change and my professional interest in textiles developed so I didn’t get to share this interest with her. She spun wool and wove rugs on the loom I now have and I wish I’d had an opportunity to learn from her experience. I do have some of her rugs though, as well as a couple of her paintings.
One item amongst the box of wooden accessories I realised was an inkle loom and I’ve just been working out how to use it. I bought a book but this still wasn’t very clear and I realise how different it can be to learn something when you are shown what to do rather than trying to understand a written instruction. With the help of various online instructions and a couple of false starts I got the thing warped up and have started to weave on it. I even found Granny’s little heddles, made from some strong yarn, that had sat in amongst other things and I hadn’t realise what they were for. They’re still strong and now in use on the loom.
And as if those two looms aren’t enough, I’ve got a couple of tapestry frames on the go too for more samples.
I’ve had a welcome few days away with family and surrounded by beautiful landscape that was abundant with wildlife. The warm summer we’re having is glorious but I love the relief of the evening air and the light at that time of the day can do wonderful things to a field of grasses.
During walks I gathered grass and twisted it into this ball of string. I enjoy exploring a material like this: manipulating it and seeing what it will do and improving my technique as I go. It dries quickly and the fresh green above is soon dulled. Working the grass I find there is a sweet point where it is dried a bit and so a little firmer but once it dries too much it becomes brittle. The ball is my little record of the places we walked.
I will be at this lovely event this weekend at The Tetley, a new contemporary art gallery in Leeds. I first showed at this event last year and it was a very friendly gathering of all things book art. I’m looking forward to seeing the new venue and meeting some lovely artists’ book making/appreciating people! I’ll be taking some of my Tide Marks books along, as well as this: Forgotten Haberdashery
There’s nothing quite like a production line to give you a feeling of satisfaction at achieving small goals. Making and writing Christmas cards in between other jobs this week I have been reminded of how rewarding repetitive tasks can be. Whether it is weaving, stitching, folding paper… once in your stride the task is repeated fluidly and with rhythm. Paying attention to the smallest detail of the movements; applying just the right amount of pressure; placing something exactly where it should be; enjoying the physical movement of each small element; mind focussed yet available to explore and reflect at the same time.
I’ve just finished setting up my work at the Festival of Quilts at the NEC in Birmingham. There are 6 of us on the Graduate Showcase stand who turned up early this morning to put our work up ready for the show opening tomorrow. Here are a few images of my stand today. The lights weren’t up when I took these photos but you get an idea of the space.
Much of the work is as I had it at New Designers but I have brought a few different things. I now have two of my embossed paper pieces framed and I’ve brought a couple of pieces that were development samples and so didn’t make it into the final show at Bradford.
I’ve made some new miniature pieces to sell. These are little assemblages of naturally dyed paper and felt with copper wire stitches. They’re mounted ready to go into frames.
The show opens on Thursday morning and goes on through to Sunday. Do come and say hello if you are coming along.