looking and links

In the last few weeks I’ve seen some wonderful and inspiring exhibitions.  A trip north took me to Perth where I saw the moving work of Angus McPhee, a man who spent most of his life in a psychiatric hospital choosing not to speak and devoting his energies to weaving structures with grass and other material gathered from the hospital grounds.  There is a touring stage show that tells his story, which sadly I didn’t see (although it is still touring). Through this exhibition I discovered the beautiful work of Joanne B Kaar, who created  replicas of some of Angus’s ‘garments’ for use in the stage show.

Angus McPhee peat creel

In Edinburgh I visited the Dovecot Studios and saw the lovely Fleece to Fibre with its wonderful links to the people who were involved in producing the wool used to weave a tapestry version of Victoria Crowe‘s Large Tree Group.  My favourite bit was actually the back of the large tapestry (still on its frame) where you could see all the hand written labels showing the breed of sheep the wool was from and the person who had spun it.  The whole tapestry was made using natural tones of wool from different breeds of sheep.

Ilana Halperlin We make geology

Also in Edinburgh I visited the National Museum of Scotland to see this intriguing exhibition by Ilana Halperin. Ilana’s use of geological processes to collaborate in making her work was really interesting and there is a lovely guide to the exhibition that you can download from the page I’ve linked to above.

Back home I had my first visit to see Cloth and Memory {2} at Salts Mill.  My friend Hannah is exhibiting in this and used my spinning wheel to spin fibre that she found at the Mill into balls of yarn that are included in the exhibition, so I have had a sneaky insight into a bit of the work before it all went up. There is a lovely film here that shows her spinning the wool in the amazing space where the exhibition is.  Because I live just up the road and the exhibition is one for a couple of months I can take my time with this one and visit as many times as I like: there is a lot to see.  On my initial walk round a coupe of things really caught my eye, including some little interventions on the crumbling walls by Jeanette Appleton. They reminded me of this project by my friend Ruth.

erosion

Alice Fox Spurn Cloth #2 take down with assistant

I took down my installation at The Bowery last weekend (with the help of my small assistant).  It was potentially a rather sad day as the paper pieces that I’d collaged directly onto the wall were going to have to be scraped off.  I didn’t know whether they would come off in salvageable pieces or if the whole thing would break up.  I had resolved myself to this site specific piece (the paper extension to my linen Spurn Cloth #2) being an ephemeral work and likened it to the erosion and change that is happening constantly at Spurn, where the pieces were based on.

Someone suggested I should have filmed the process of putting the installation up, building up the collage on the wall – great idea, but I’d already put it up when they suggested it!  So I decided to record the taking down instead.  Here is the result, although the quality isn’t great it gives an idea of how the pieces surrounded you in the gallery (the first half is shots taken from the middle of the room looking round the walls and then it goes back the other way tracking the removal of the work and leaving an empty gallery again.

 

Industrial Abstract

Alice Fox Fabric of the Building Green Wall & Wall ii

Fabric of the Building gets another airing from this Saturday.  It is showing at The Beetroot Tree, Draycott, Derbyshire as part of Industrial Abstract.  I’m really please to be showing this work again.  It was my final degree project and most of it has been tucked away at home since I graduated.  It includes works on thick industrial felt, paper and digital projection.  There are elements of print, embossing, manipulation, natural dye, and hand stitch. I’m looking forward to installing it in a different space and getting those animated stitches covering a wall in the gallery.

The exhibition is on from 20th April to 8th June and there will be a ‘meet the artist’ event at the gallery on Saturday 4th May.

logistics

My head is full of lists and logistics for the coming week.  There is just a week to go now before my residency exhibition in the lighthouse at Spurn.  Most of the work is finished:  I’ve spent the week stitching into Spurn Cloth #1; prints are back from the framers; cards and postcards are made; the book is with the printer; my interpretation film is complete and equipment arrived…

There is still a whole list of things to do but I can’t wait now to get over there on Monday and spend time putting my work in the space it was made for and about.