I took down my installation at The Bowery last weekend (with the help of my small assistant). It was potentially a rather sad day as the paper pieces that I’d collaged directly onto the wall were going to have to be scraped off. I didn’t know whether they would come off in salvageable pieces or if the whole thing would break up. I had resolved myself to this site specific piece (the paper extension to my linen Spurn Cloth #2) being an ephemeral work and likened it to the erosion and change that is happening constantly at Spurn, where the pieces were based on.
Someone suggested I should have filmed the process of putting the installation up, building up the collage on the wall – great idea, but I’d already put it up when they suggested it! So I decided to record the taking down instead. Here is the result, although the quality isn’t great it gives an idea of how the pieces surrounded you in the gallery (the first half is shots taken from the middle of the room looking round the walls and then it goes back the other way tracking the removal of the work and leaving an empty gallery again.
The Gifts from the Pavement book is now available to buy on my online shop.
By the way, this is the last week to see Industrial Abstract at the Beetroot Tree in Derbyshire. Textures of Spurn continues at The Bowery in Leeds and if you’re around that area next Saturday I’ll have a stall at the Leeds Festival Chorus Plant and Produce sale at St Chads Parish Centre, Otley Road, Headingley, Leeds from 11.30 – 2.30. This is a fundraising event for the wonderful choir, which I sing in. There will be lots of plants, food, craft stalls and general loveliness.
This week I’ve been creating an installation at The Bowery in Leeds. This is based on my long Spurn Cloth #2 but sees it displayed in a very different way to the previous venues it has visited. Rather than hanging vertically the cloth is hung horizontally round half of the gallery room. I have extended it using collaged rusted and printed paper so that the band of texture and marks forms a complete circle around the space.
The paper is collaged directly onto the wall, something that I was quite nervous about doing. Having completed it, I’m really excited about how it has worked. There is a kind of freedom to this sort of site-specific work. I don’t have to worry about pricing or whether anyone might want to buy it. It can just be.
At the end of the exhibition the paper extension will then be scraped off the wall and will be no longer. Just as Spurn itself is constantly changing shape, bits being eroded in one area and deposited in another, this installation has seen the original cloth extended, added to, enhanced. And then, as if by the action of an exceptionally high tide, it will be taken away again.
My work is showing alongside a beautiful exhibition by Hannah. The preview is this evening from 6-8pm (all welcome) and the exhibitions run until 5th July.