DIS/rupt opens today at the Museum in the Park and tomorrow at Lansdown Hall Gallery, Stroud. This exhibition and associated events is by the Textile Study Group and is launching as part of SIT select. There are twenty members showing work across the two venues and some of us are teaching workshops linked to the project. You can read more about DIS/rupt here, book onto workshops, the DIS/rupt symposium and see all the other events happening here and you can read a bit more about the work I have made for this exhibition here.
The Private View for the exhibitions are this Friday – do come along if you can.
I’ve just spent a really inspiring and thought-provoking weekend with the Textile Study Group, of which I am now a member. We meet twice a year to learn together and this weekend we had Lesley Millar with us to guide our study and discussion. Members of the group are given a professional review every five years and, being new, I was included in the rota of reviews this year. I had a very worthwhile session with our mentor Jane McKeating, which as left me with a lot to think about. We discussed my recent work and future direction and developments. Selecting the most relevant work to bring together for something like this is a useful exercise in itself. To have it looked at by fresh (and such experienced) eyes is a little daunting but so useful. I feel very lucky to be a member of such an interesting and active group of artists where sharing, developing and educating (of others and each other) is so embedded.
By the way, if you wish to vote for me in the 2015 Craft & Design Magazine Selected Maker awards you can click on the badge on the right or go here. Voting is open until 31st March and you can vote for as many of the makers as you want to.
I was fortunate to spend a weekend with the Textile Study Group a few weeks ago. The group is made up of textile artists and tutors who share their experience and skills with their students and with each other. The weekend I attended was themed around ‘drawing’, but not just the conventional pencil on paper stuff that immediately springs to mind. We explored how different artists take initial ideas and get things down on paper (or elsewhere) as a starting point for their work – ‘taking the idea out of your head’. This included intensive drawing exercises, as well as group and individual activities on recording what we found around us. Many different ways of recording thoughts, sights, experiences were explored and discussed. It was an immensely stimulating and enriching weekend. What became clear was that everyone has a different approach to drawing, recording ideas and developing their work. Each approach is personal to each artist but all are relevant.
I’m really pleased to announce that I have been made a member of the Textile Study Group. This is quite an honour and I look forward to working with the wonderful artists and teachers that make up the members of the group.