I will be teaching a workshop in March at West Dean College in West Sussex. As a new tutor to this renowned centre for the creative arts I have been invited to show some of my work in the College foyer in the run up to my course there. I have sent a variety of work to show in this exhibition, including: Spurn Cloth #1, the large art quilt piece I made during my 2012 residency at Spurn; 49 Beer Bottle Tops (shown above) and 76 Hair Grips (both incorporating found metal with hand stitch and natural staining); a selection of paper-based pieces incorporating rust prints, collagraph and stitch. The exhibition runs form 10th January to 10th March.
I was thrilled to be invited to be part of Meticulous Stitchers at Unit Twelve Gallery, Stafford, alongside artists whose work I really admire. The two pieces I have made for the exhibition are part of my Rust Diaries series and have involved hours and hours (and more) of stitching.
The exhibition opens on 4th June and runs through until 29th August. I will be teaching a couple of day workshops at the gallery in July and there is a ‘stitchers soiree’ on 27th June, a mid-exhibition event (open to all) instead of a private view. You can find more details here and on the Unit Twelve website.
I don’t drink a lot of beer but I seem to find a lot of beer bottle tops when I’m out and about. On a recent walk along the nearby canal I came home with a little stash in my pocket. I love the way they get squashed by cars and their crinkled edges go in different directions. They are all at slightly different stages of going rusty. After completing 25 Beer Bottle Tops I decided to make a scaled up version and am now part way through its making.
This time there are 49 Beer Bottle Tops. The number isn’t significant, but these fit nicely into the dimensions that I decided to work on, four times larger than the first piece. They are arranged in a grid, again, not for any specific reason, but I find the arrangement pleasing. I often arrange things I find in lines like this in the studio. It is a way of sorting, of getting to know the objects, cataloguing them almost: they are like collected specimens laid out for inspection. Once trapped and stitched around and then allowed to stain their surroundings their regimented lines will contrast with the random stitching and the marks that they make.
The stitching is now in progress. This is slow and repetitive. This kind of stitching marks out the passage of time. Each stitch is similar to the one before but unique in its detail.