I really enjoyed my time at the Knitting & Stitching Shows – what a wonderful bunch of people are involved in the whole thing, from organisers, exhibitors, logistics staff, through to the visitors. Over the three shows I have met so many lovely people and had some amazing conversations. Thank you to all who came to see the work on show.
I am now in recovery! I’m having a quiet week catching up with things at home and fighting a cold. I have just updated my online shop here with a few things that might make good seasonal gifts…
The third and final Knitting & Stitching Show is on next week in Harrogate. This leg of the shows is the one I am most familiar with, having visited it for years as a punter and then more recently as a demonstrator in the wonderful Artists in Action stand. This year I won’t be demonstrating because I’ll be with my Findings gallery, TG6 in hall M.
The gallery space at Harrogate has different dimensions from the spaces I had in London and Dublin, so it will be interesting putting the work up in a differently configured space again.
I made some of my stitched limpets into brooches before the London show and they have been quite popular. There are a few on my shop here, along with some other small work. I hope to have some with me in Harrogate too.
Last week the Knitting & Stitching Show at Alexandra Palace was full-on and tiring but a great experience. It was an honour to be amongst some really high quality exhibitions at the show and in such an amazing venue. After so long making the work for Findings it all came together on display for the first time and it was really good to see how the many visitors to the show reacted to the work. It was lovely to watch people working their way around the walls of the gallery space and breaking into smiles when they realised that what they were looking at were stitched acorns or shells.
The way I presented my Findings was as if they were part of a natural history collection or a group of archaeological artefacts. Perspex boxes, rows, grids and entomology pins helped give a flavour of a museum collection. My visit to Manchester Museum last year helped me plan for this. Once the work was up and lit in the gallery there were all sorts of interesting shadows cast by the both the pieces and the perspex boxes. I think the best views were looking through the side of the boxes seeing the work inside surrounded by reflections of other pieces and the work on the walls beyond.
Now I’m looking forward to doing it all again in Dublin next week.
The autumn Knitting and Stitching Shows are upon us, with the Alexandra Palace show opening on Wednesday 5th October. My front room is full of Findings in boxes waiting to be loaded into the car and taken down to London tomorrow. There are still some unknowns about exactly how the work will fit in the space: it is impossible to test it out fully and the actual space may well feel very different to the imagined one. But careful planning means that I hope it will come together successfully over the next couple of days. As I was making the final fixings and preparations I got really quite excited about how this collection of objects will come together next week. I’m looking forward to seeing it all together on display rather than in and out of boxes in the studio.
My Findings book, published to accompany the exhibition, arrived a few days ago and this will be available at the show along with my other titles. The new book is now on the shop and will be available to order in the next few days. I have put a page with the work list of all the items in the exhibition here. This lists titles and prices and is intended for reference whilst viewing the show or as a reminder afterwards. It isn’t possible to post images of all the work but I hope to be able to show how the exhibition looks once it is up.
I spent last week in a quiet part of Cumbria. It was a working week but in a beautiful location away form home and studio. We made time to explore a bit as well, enjoying the sweeping views across the valley and the changing weather patterns.
Almost exactly a year ago I had a similar week working here and came across an old lime kiln that had been used recently as a bonfire site; a place to dispose of various bits of agricultural rubbish. You can see this structure on the picture above, in the middle near the bottom. What remained amongst the ash and nettles were various bits of metal, rusty and burnt. Some of these objects formed the starting points for a section of my Findings project. I brought this group of work back with me, intending to photograph them ‘on location’. So last Friday, with good light conditions and a pleasant breeze, the pieces accompanied me on a walk up onto the edge of the fell until I found a suitable limestone rock. This was within view of the old lime kiln and made a very suitable foil for my line of Findings.
I’m now in the midst of putting together the book to accompany the exhibition. This publication, like my previous self-published books, tells the story of the project. Images and words are gathered together from the places that sparked off the ideas, the making of the work and the finished pieces.
I’m busy in the studio at the moment making work that will be shown in the autumn as Findings. You can read a bit more about the exhibition on the Knitting and Stitching Show website here. Findings is made up of a series of collections of objects. Some are forms that I have made, incorporating a found object within their structure. Once constructed, the form is then either soaked or dyed to allow the fibres to be stained by the embedded object; the detail of how the stain develops and ends up is unpredictable. Some are structures that I have made and then coated in gathered mud or ground-up stone, changing the colour of my woven, knotted or looped surface but also changing the character of it, transforming it into an almost ceramic-like surface. Other pieces are objects that I have gathered and then altered or added to, stitching or weaving into or onto the object itself.
Most of the pieces are made using neutral thread, allowing the staining to develop at the end after construction is complete. It can be quite difficult to make the leap from a fairly pristine surface where the contrast between clean fibre and rusty metal, weathered wood or hard stone is stark. But once the fibres are stained or marked the relationship between fibre and object becomes much closer, more complete. There are images of how some of the pieces are developing on here.
Each piece is an experiment, a trial, a question: what happens if I do this? There are variations on themes within the collections, some forming a series of developments, others being more individual because of their particular characteristics.
When I was in Italy a few weeks ago we explored the nearby lanes and land, collecting plant material and objects that we could make use of in the studio through various printing, mark making and construction techniques. Most of what we used then went to the tip when we’d finished with it. There was a lot of rubbish on the lanes, so I feel that we did quite a good litter-picking job, making use of things before they went in the bin.
There was charred wooden debris amongst the olive trees, presumably as a result of tree pruning, the brash being burnt on site. I used a piece to draw with on my first walk around the fields. There was also the smell of bonfires in the air all week as neighbouring farms and small holdings cleared the land ready for the growing season ahead.
There were a few objects that I picked up in the olive grove around the Masseria and these came home with me to the studio. I have since been playing with them and forming new structures and surfaces in response. These will form part of Findings, which I will be showing later in the year. There were various nut shells: walnut, almond and acorn cups. The acorns from the majestic Macedonian Oak, which we saw in various places are huge in comparison to the ones I’m used to here in the UK.
I’ve been making small vessel structures from paper yarn and once the surface of these is rubbed with mud they take on a really interesting quality. These structures are made with a looping stitch, sewing with a needle but building up a three-dimensional form. I used the same looping stitch but with a pliable linen thread on the burnt olive wood, encasing and wrapping the forms, getting to know each line, crack or subtle change in the surface as I work my way round and round the wood. And as I handle the wood the aroma of smoke takes me back to the place that they were found.
Last week was a working week away from home on the North Yorkshire coast: a week of walking, reading, thinking and developing work towards my Findings exhibition; a week of changing weather, windy cliff-tops, cold fingers on the beach, fossils and falling cliffs, stunning views…
upside-down limpets, marks on rocks left by limpets, pebbles and pellets…
mud underfoot (and half way up the trousers), mud on woven thread, mud trails left by periwinkles at low tide…
The experiments I’ve been doing recently in the studio are my way of exploring 3D structures and trying out different ways to form them. This shot from earlier in the week shows some of these experiments alongside some of the objects that live on my studio wall, which I described a couple of posts ago. I am not necessarily trying to re-create the forms of these objects but there are often similarities between the ones I’ve got pinned up there (for instance, the ones included here on their own or incorporated into a a new structure are either circular, have holes or form vessels) so they gently influence my making in different ways.
Anyone who follows me on Instagram (where I post images almost daily) will know that I am starting to develop new work based on a series of collections of objects. Ultimately I am working towards an exhibition at the Knitting and Stitching Shows 2016, which I’m really pleased to have been selected for. My working title is Findings. I have been developing ideas for this over some months now, thoughts whirring away in the background while other things happen. Findings will be a series of responses to objects I have collected in different locations.
1. the action of finding someone or something.
2. information discovered as the result of an inquiry or investigation.
The first group of objects I am exploring are a collection of limpet shells I brought back from Anglesey in the summer. I didn’t collect the complete shells: it was the ones with holes in that I was drawn to and I came back with a couple of hundred of these. I love the subtle variation in a series of items like this: they’re similar but all unique. Some are really worn down and smooth; others are rough and intricately mottled; some have a jagged broken top; others are almost perfectly smooth rings. I’ve been experimenting with replacing the broken section with a stitched/woven ‘patch’. Some of them end up mended completely, others partially filled. Some are being filled in across the inside, leaving them with a sort of woven plate across that reminds me of the limpet’s ‘foot’.
As I work away at these experiments (inquiries, investigations. . . ) the results are starting to form a new collection: a collection of my Findings.