drawing tools

I’ve been exploring what there is on my allotment, including all the things I have inherited from the previous owner(s). As well as plants and the structure of beds that contain them (or not!), there are many other objects and materials with potential use to me. The site is a sort of palimpsest, a record of the different layers of activity and lives that have worked the plot.

Rusty old tools, which at first seemed pretty useless, are being put to use at times – if a hammer is a bit rusty it still works as a hammer! I’ve been drawing some of these tools and other objects using my home-made inks. These are made from previously gathered walnuts and oak galls, neither of which I am likely to find on my plot. But I have plans for making inks with things that do grow here.

Drawing really makes me look at the detail of these objects: the nature of the surfaces; the curve of a handle; the structures that make up the forms. It is deep looking and allows for good thinking time.


I’ve really enjoyed drawing recently. Drawing is an important part of my practice but the product of it is usually not shared. I’ve been drawing with graphite and home-made oak gall ink, which has captured a surface quality that I’m really pleased with.

I found this squashed rusty bucket a couple of years ago and it has been sitting waiting for attention in my studio. It is squashed flat so that the metal has creased and folded like cloth. It reminds me of one of Cornelia Parker’s steam-rollered objects.

I have been studying galls of as many varieties as I can find. This drawing will form part of work I will be showing with the Textile Study Group later this year. I’ll write more about that another time…