I’ve been exploring what there is on my allotment, including all the things I have inherited from the previous owner(s). As well as plants and the structure of beds that contain them (or not!), there are many other objects and materials with potential use to me. The site is a sort of palimpsest, a record of the different layers of activity and lives that have worked the plot.
Rusty old tools, which at first seemed pretty useless, are being put to use at times – if a hammer is a bit rusty it still works as a hammer! I’ve been drawing some of these tools and other objects using my home-made inks. These are made from previously gathered walnuts and oak galls, neither of which I am likely to find on my plot. But I have plans for making inks with things that do grow here.
Drawing really makes me look at the detail of these objects: the nature of the surfaces; the curve of a handle; the structures that make up the forms. It is deep looking and allows for good thinking time.
Happy new year (I know I’m a bit late in getting round to saying that, but it is still just the middle of January). We’re still in the depths of winter, and although today the weather has provided a mix of cold wind, sleet, snow and generally depressing greyness I did notice yesterday that it is getting dark a little later now.
I have news of new projects and new workshops. Back in September I started studying for an MA in Creative Practice. This is a research-based course, the focus of which (for me) will be my new allotment. I have taken on this plot in order to garden but also to explore the site in creative ways. I hope to use material from my plot for a variety of different techniques, recording the site and its changes through the seasons. If you follow me on Instagram (where I post pretty much daily) you will already have seen some of the things going on there.
There is a lot to do over the winter to get my plot ready for the growing season as it hasn’t been properly tended for a few years. However, there is a good structure of beds, sheds and fruit trees under the weeds. I am very excited about this project; about the possibilities it offers for creative engagement with a site over an extended period, as well as the benefits of being outside, having my hands in the soil, growing some lovely things and the fresh start it provides.
I have a long list of workshops which get under way from March onwards and which are all listed on the workshops page with links to the relevant studios for booking. I am looking forward to returning to familiar locations to teach this year, as well as some new ones. Some of the workshops are full, but these have waiting lists (it is always worth being on a list as people do sometimes have to drop out). I understand here are still places available at Lund Studios in early May, ArtisOn in late May, Moor Hall Studio in August/September and the wonderful Masseria della Zingara in Puglia in October.