Page 17

Earlier this year, during the time that I was developing my ideas for the Fifth-Sized Book Adventure, I was invited to take part in an exhibition initiative by the Embroiderers’ Guild. This group exhibition under the title ‘Page 17’ was to be shown around the same time that the Newcastle Library Project would come to fruition. In fact it is on show this weekend at the London leg of the Knitting and Stitching Shows. Participants in Page 17 were invited to take a favourite book as their inspiration for a new piece of work for the exhibition. I don’t know what is on page 17 of ‘my’ book, just as I don’t know what is on any of the pages due to it being bound shut. However, I liked the synchronicity of this project with my current thinking and decided to accept the invitation.

The requirements for the Page 17 exhibition were set out by the organisers and are quite specific due to the nature of the show and its location. This gave me a set of constraints within which to conceive a piece of work, something that can often be quite useful as a starting point. I decided that I wanted to explore the exposed spine and to continue making small units, bringing them together to make a larger whole. These would then be encased in an acrylic box, showing mismatched stitched spines and page edges in a block that would remain tightly closed and restricted.

Constructing this piece proved a useful testing ground for the library work. I planned out the units that would sit within the clear box and then made them one by one, fitting them together at the end like a sort of jigsaw.

The bright white of the paper and stitch was too ‘clean’ to relate back to my old worn starting point, so each unit was dipped in tea to gather more sympathetic tones and marks along their folds, stitches and edges. Fitted back together the piece became a study in texture within a constricted form: rough torn edges and uneven junctions between units, all contained by clear straight boundaries.

Page 17 will be shown at the Harrogate Knitting & Stitching Show 23 – 26 November.

gifts from the pavement

Alice Fox Gifts from the Pavement Sketchbook Project 19

Over the past couple of months I’ve been working away slowly at my contribution to The Sketchbook Project.

My book is a record of things picked up in the streets around my home on everyday short walks during autumn and winter: on the way to the post office or back from school.  The things I’ve picked up are insignificant: a rusty washer, a few leaves, a beer bottle top… They have come together with the help of the chemistry of tea to make marks on the pages of the book.  I’ve then used rollers and ink to build up more marks and texture and finally there are stitches added in response to the other marks.

Alice Fox Gifts from the Pavement Sketchbook Project 12

This morning I finished my book and now I can post it off to the Brooklyn Art Library for it to join all the other books from around the world.  Eventually my book will be available online to view digitally, but for now here are a few peeks at the detail:

Alice Fox Gifts from the Pavement Sketchbook Project 10Alice Fox Gifts from the Pavement Sketchbook Project 14Alice Fox Gifts from the Pavement Sketchbook Project 15Alice Fox Gifts from the Pavement Sketchbook Project 17

Alice Fox Gifts from the Pavement Sketchbook Project 20

sunday stitches

I’ve been stitching into some of the prints I made earlier in the week.  This one has a tea and rust print and then a collagraph print over.  There are embossed and printed marks from stitches on the collagraph plate and my little seeding stitches play about amongst those marks.  I’m really pleased with the effect and some late afternoon sunshine (it rained most of today) enabled some good photographs.

>miniprints

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I have some work in this exhibition of small prints in Hull.  I’m hoping to get over there at some point soon to see it.  It looks like there is a lovely mix of different print techniques.  

The work I submitted are rust prints with tea on paper, which have been stitched into with small seed stitches

The exhibition is on until 21st January.