I will be teaching a workshop in March at West Dean College in West Sussex. As a new tutor to this renowned centre for the creative arts I have been invited to show some of my work in the College foyer in the run up to my course there. I have sent a variety of work to show in this exhibition, including: Spurn Cloth #1, the large art quilt piece I made during my 2012 residency at Spurn; 49 Beer Bottle Tops (shown above) and 76 Hair Grips (both incorporating found metal with hand stitch and natural staining); a selection of paper-based pieces incorporating rust prints, collagraph and stitch. The exhibition runs form 10th January to 10th March.
When I was in Italy a few weeks ago we explored the nearby lanes and land, collecting plant material and objects that we could make use of in the studio through various printing, mark making and construction techniques. Most of what we used then went to the tip when we’d finished with it. There was a lot of rubbish on the lanes, so I feel that we did quite a good litter-picking job, making use of things before they went in the bin.
There was charred wooden debris amongst the olive trees, presumably as a result of tree pruning, the brash being burnt on site. I used a piece to draw with on my first walk around the fields. There was also the smell of bonfires in the air all week as neighbouring farms and small holdings cleared the land ready for the growing season ahead.
There were a few objects that I picked up in the olive grove around the Masseria and these came home with me to the studio. I have since been playing with them and forming new structures and surfaces in response. These will form part of Findings, which I will be showing later in the year. There were various nut shells: walnut, almond and acorn cups. The acorns from the majestic Macedonian Oak, which we saw in various places are huge in comparison to the ones I’m used to here in the UK.
I’ve been making small vessel structures from paper yarn and once the surface of these is rubbed with mud they take on a really interesting quality. These structures are made with a looping stitch, sewing with a needle but building up a three-dimensional form. I used the same looping stitch but with a pliable linen thread on the burnt olive wood, encasing and wrapping the forms, getting to know each line, crack or subtle change in the surface as I work my way round and round the wood. And as I handle the wood the aroma of smoke takes me back to the place that they were found.
I’ve updated my online shop here with some new items. Some of the stitched leaf cubes that featured in my Leaf Stitching exhibition are on there now, along with a selection of other small 3d and 2d items, books and cards. I do always have a selection of framed pieces from previous exhibitions available, as well as unframed and mounted works (textile and print), but these are not advertised on the shop. I am happy to arrange a visit to the studio (Keighley, West Yorkshire) if you are looking to buy. If you are further afield and have particular requests then do send me an email and I’d be happy to discuss options for work I have available.
Leaf Stitching is showing this week in London and I’m enjoying being back in the calm space that is the Society of Designer Craftsmen Gallery. This exhibition is all about detail. Most of the pieces are intimate in scale and they draw you in to notice their intricacies. Small careful stitches punctuate the natural leaf material; the colours and surface qualities of the leaves invite close inspection.
I have a flurry of workshops at the moment for various groups, which is getting me out and about around the country. In between those and the preparation for them I am making final touches to work for my exhibition Leaf Stitching at the Society of Designer Craftsmen Gallery, London in a couple of weeks. It seems very fitting to have this exhibition as autumn is upon us and I hope it will be a celebration of the leaf at a time when we become particularly aware of these wonderful objects.
As well as pieces featured in the book I published earlier this year with the same title there will be some more recent leaf stitching I have been working on, including 2D and 3D pieces. The Oak leaf Quilt I made a few months ago will be there, and some panels made from eucalyptus leaves that are still work in progress…
I was thrilled to be invited to be part of Meticulous Stitchers at Unit Twelve Gallery, Stafford, alongside artists whose work I really admire. The two pieces I have made for the exhibition are part of my Rust Diaries series and have involved hours and hours (and more) of stitching.
The exhibition opens on 4th June and runs through until 29th August. I will be teaching a couple of day workshops at the gallery in July and there is a ‘stitchers soiree’ on 27th June, a mid-exhibition event (open to all) instead of a private view. You can find more details here and on the Unit Twelve website.
My Leaf Stitching books have just arrived, hot off the press from the printers. The book is now available here. This book forms a photographic record of a series of experiments with leaves and hand stitch that I have been playing about with for a couple of years. As it says in the afterword: This book illustrates a line of inquiry, the following of a thought process.
Some of the pieces that feature in the book, and others that don’t, will be exhibited this Autumn at the Society of Designer Craftsmen Gallery, London.
Just as the new buds are unfurling in the woods I am using last years leaves. I am working on my largest leaf stitching piece so far. This is a sort of experiment, just to see what happens when I try to scale up something that I’ve been doing previously on a hold-in-the-hand scale. These leaves are pretty fragile, although they were collected at a point when the winter hadn’t completed its job of weakening and breaking down the fibres. Pressed and dried flat they are generally doing what I want them to and I am learning all the time what the boundaries are. As I work on this piece in the studio my Leaf Stitching book is finished and at the printers. I hope it will be available in the next couple of weeks.
I don’t drink a lot of beer but I seem to find a lot of beer bottle tops when I’m out and about. On a recent walk along the nearby canal I came home with a little stash in my pocket. I love the way they get squashed by cars and their crinkled edges go in different directions. They are all at slightly different stages of going rusty. After completing 25 Beer Bottle Tops I decided to make a scaled up version and am now part way through its making.
This time there are 49 Beer Bottle Tops. The number isn’t significant, but these fit nicely into the dimensions that I decided to work on, four times larger than the first piece. They are arranged in a grid, again, not for any specific reason, but I find the arrangement pleasing. I often arrange things I find in lines like this in the studio. It is a way of sorting, of getting to know the objects, cataloguing them almost: they are like collected specimens laid out for inspection. Once trapped and stitched around and then allowed to stain their surroundings their regimented lines will contrast with the random stitching and the marks that they make.
The stitching is now in progress. This is slow and repetitive. This kind of stitching marks out the passage of time. Each stitch is similar to the one before but unique in its detail.
I’ve spent some time updating the project pages on my website today. This is something I’ve been meaning to do for ages, but it is the kind of job that always falls off the bottom of the list. Today I can tick it off and it is good to see some of the recent projects I’ve been involved in, or that are ongoing, summarised. I always have a number of different things on the go at the same time. Sometimes it can feel like I flit between them and never really progress, but there are small steps forward all the time. And of course there is always planning for the future going on, things that aren’t yet at a stage I can share my thinking on but that are bubbling away in the background. It can be misleading to have to present things as discreet ‘projects’. In reality each thing leads to the next and all of the things I am working on are inter-related, part of a continuum of thinking and exploring.
One of the newly recorded projects is Leaf Stitching. This is not a new activity, but one that has been going on in spare moments for quite some time. This is an adventure in playing with materials really: materials that are sometimes fragile and sometimes surprisingly robust. It is an exercise in treating those materials with care and precision and really getting to know them in the process. There are other leaf stitchers out there producing some beautifully embellished pieces: Christine, Hillary and Susanna.