collar books

Alice Fox Shirt collar book #1 d

Now that the Shirt Collar Project exhibition is open and the final pieces have been revealed I can share a few images of my finished work. There is a full explanation of the process and decisions that led to these pieces over on the project blog. I ended up making three small book forms using the prints I made from my collar. I find the 3D nature of these pieces very pleasing. I often feel drawn to working in a more three-dimensional way and perhaps this project has taught me to go with that impulse. I really allowed the experimentation with the materials to lead me this time, with no particular outcome in mind: a really useful challenge.

Alice Fox Shirt collar book #3 a Alice Fox Shirt collar book #3 b Alice Fox Shirt collar book #2 c
Alice Fox Shirt collar book #1 b

Alice Fox Shirt collar book #1 a

folding and binding

Shirt collar books wrapped

I’ve been working on my contribution to the Shirt Collar Project and it has taken me in a direction I didn’t expect.  Pictures of the final pieces from all ten artists will be revealed over on the project blog but here are a few images of my process as it unfolded (or folded!). I didn’t expect to make book forms but having printed from my collar on to both paper and fabric I then tested various routes and this was the one that I ended up following.

Alice Fox Shirt collar prints cut upAlice Fox shirt collar book bindingAlice Fox shirt collar book folding

streams of stitches

Alice Fox Sand Streams #3 detail

I’ve been finishing off various bits of work for Tide Marks.  With less than two weeks to go until the opening it is finishing touches time.  Amongst the work are five paper pieces with embossing and stitching on a scale that I’ve not attempted before.  Stitching into paper this size (70 x 50 cm) provides certain challenges but I’ve worked away methodically at my kitchen table with the autumn light changing rapidly as the weather flits between sunshine and showers, the now cold wind carrying animated leaves past my window.  This has been a more attractive place to work than my studio of late.  I miss the eye onto the outside when I’m there.

These pieces are subtle, quiet.  They change massively with the light: sometimes the embossed lines and stitches catching dark shadows so they look like drawn marks; sometimes the whole piece looking flat and empty.  The space that appears empty from a distance is full of detail when you’re close.  Space can be scary: it is tempting to fill it up, but just like silence that can be beautiful I hope the spaces can be too.

Alice Fox Sand Streams #5 stitch detail