I’ve been finishing off various bits of work for Tide Marks. With less than two weeks to go until the opening it is finishing touches time. Amongst the work are five paper pieces with embossing and stitching on a scale that I’ve not attempted before. Stitching into paper this size (70 x 50 cm) provides certain challenges but I’ve worked away methodically at my kitchen table with the autumn light changing rapidly as the weather flits between sunshine and showers, the now cold wind carrying animated leaves past my window. This has been a more attractive place to work than my studio of late. I miss the eye onto the outside when I’m there.
These pieces are subtle, quiet. They change massively with the light: sometimes the embossed lines and stitches catching dark shadows so they look like drawn marks; sometimes the whole piece looking flat and empty. The space that appears empty from a distance is full of detail when you’re close. Space can be scary: it is tempting to fill it up, but just like silence that can be beautiful I hope the spaces can be too.